What’s New

International Congress, Eyes and Gazes in Philosophy and Arts [photos] Rome, March 2-3, 2015, University of Rome Tor Vergata with Kyoto University (Japan).
 
Igor Pelgreffi, Fenomeno, Schermo, Filosofia, November 19th, 2014, 2 p.m., University of Rome Tor Vergata (Italy).
 
Ramón del Castillo (UNED, Madrid), The Drama of Experience. On Dewey’s Art as Experience [photosMay 20th, 2014, 3 p.m., University of Rome Tor Vergata (Italy).
 
Giuseppe Patella, Aesthetics in the Age of Multiculturalism
April 9th, 2014, 11 a.m., University of Seville (Spain).
 
Vincenzo Cuomo, Per un’estetica non simbolica [photos]
December 4th, 2013, 2 p.m., University of Rome Tor Vergata (Italy).
 
Genta OKAMOTO (Okayama University, Japan), Ayako IKENO (Tokyo University, JSPS),
Who is Afraid of Experimentation? Art and Theory in Postwar Japan [photos]
October 8th, 2013, 2 p.m., University of Rome Tor Vergata (Italy).
 
IRCA supports Penso dove non sono. Il filosofo e il suo schermo, Seminar,
October 2nd, 2013, 9.30 a.m.-6.00 p.m., University of Rome Tor Vergata (Italy).
 
Akihiro OZAKI (Tohoku University, Sendai, Japan),
The Eastern Impact. The Enigma of Van Gogh’s challenge to Rembrandt [photos]
March 19th, 2013, 11 a.m., University of Rome Tor Vergata (Italy).
 
Enrique Herreras (Universidad de València), Estética de lo traslúcido,
January 15th, 2013, 2 p.m., University of Rome Tor Vergata (Italy).
 
IV International Congress on George Santayana, George Santayana and Italy, Rome,
October 30-31st, 2012.
 
Aesthetics of the City between East and West
May 17th, 2012, 3:30 p.m., Mimar Sinan Fine Arts University, Istanbul (Turkey).
 
Lucio SAVIANI, L’arte e il “fuori” dell’arte
April 18th, 2012, 3 p.m., University of Rome Tor Vergata (Italy).
 
Paolo TAMASSIA, Presenza vs. rappresentazione. Un itinerario estetico tra Sartre e Lyotard
March 12th, 2012, 2 p.m., University of Rome Tor Vergata (Italy).
 
Dario EVOLA, L’arte e il suo doppio. Il paradosso del contemporaneo
February 28th, 2012, 3 p.m., University of Rome Tor Vergata (Italy).